In my last post, I wrote about three unpaid, short-term jobs I worked shortly after moving to LA. And last I checked, my self-respect was still (mostly) intact, making me a clear expert on this topic. These mostly apply to trying to break into the film industry, but I suppose they could apply in other fields as well. Here are some tips:
1. Put a time limit on it.
Do: Decide in advance how long you will work without pay.
Don't: Keep working for free until your savings are gone.
"Unpaid internship" is not a euphemism for "slave labor." Or at least it shouldn't be. Don't work for free for too long. Put a time limit on it--a month, three months. One year is too long (if you're not in school). If you're working in an unpaid internship and they haven't even hinted about giving you a job after three months--it's probably time to thank them kindly for the valuable experience, ask for a good reference, and move on. It's a lot like dating: If they're still not ready to make it official, it's probably not meant to be.
2. Watch your expenses.
Do: Work odd jobs to make money.
Don't: Eat at the Cheesecake Factory every night. [Plus, cholesterol!]
This goes with out saying--if you're working for free, you're probably not making a lot of money in general, so avoid spending what you do make. I was lucky. When I first moved to LA, I immediately got a temp job working at a media conference that lasted for a week. Subsequent to that, I got another extremely short-term gig that paid pretty well because I was working a double-shift. If you're making money at another job...
3. Save your ass off while working your ass off.
Do: Your job. Well.
Don't: Kill yourself.
Give it your all. You have nothing to lose (literally). If you work hard and don't complain, people will remember you. Being happy and nice doesn't hurt either.
4. Network, network, network
Do: Tell people you are looking for more gigs.
Don't: Hand out your resume between takes.
Make friends. Friends is how you will get jobs. Friends = jobs. Remember that.
5. Take advantage of craft services. [There is such a thing as a free lunch.]
Do: Take leftovers home, if appropriate.
Don't: Steal all the peanut M&Ms. They will find you. And they will kill you.
Anyone who knows me knows that craft services is pretty much my favorite thing ever. On the films I worked on, I was often the one buying the craft services (Win!) Eating on set will help you save money. One solid meal a day can go a long way, and often the company is paying you with meals and things. So enjoy the perks, I mean, red vines.
6. Keep your receipts.
Do: Remember to ask for a receipt.
Don't: Spend your own money on production expenses.
If the company is reimbursing you for lunches or gas, make sure to keep your receipts. If you are spending petty cash, MAKE SURE TO KEEP YOUR RECEIPTS. Learn how to ask for a receipt in Spanish, if necessary.
7. Don't tolerate disrespect or harassment.
Do: Tell someone if you're not comfortable or don't feel safe doing something you've been asked to do.
Don't: Try to deal with HR type problems on your own.
If you are working for free and the company/production is mistreating or abusing you--call me and I will come punch them in the face. But seriously. That is unacceptable. If someone harasses you, say something. You are more important than any film.
8. Give thanks.
Do: Wash the dishes.
Don't: Overstay your welcome.
Working for free is a privilege that many cannot afford, because they have to pay for stuff like "rent" and "daycare." Thank those who have helped you [or are helping you] along the way. I was lucky enough to live with my aunt and uncle rent-free for a few months before moving in with roommates. I couldn't have done it without them.
9. Get a job. [Do I sound like your parents yet? Good.]
There comes a time in every woman's life when she must "get a real job." If your time limit is up (and before your savings run out), start looking for a job that pays. Any job. Beggars can't be choosers and all that. When it comes to survival jobs, I like to quote the Rolling Stones: You can't always get what you want. You know what's worse than working as a barista? Living out of your car or being a freeloader eternal.
Finally, like the old college motto says, respice finem, or "Look to the end." Why are you working for free? Hopefully, you are working for free in order to eventually get a job. But in the short-term, what are you looking for: To support a cause you believe in? To make connections? To meet interesting people? To have an adventure? To get up at 5:30am every single day and drive from Torrance to West Hollywood?
These are all valid reasons. Just know why you are giving of your time and yourself. Make sure it's worth it.
Tune in next time for How to Survive a Day Job Without Losing Your Mind.
Showing posts with label internship. Show all posts
Showing posts with label internship. Show all posts
Friday, November 2, 2012
Wednesday, October 31, 2012
"She works hard for (no) money": Copy/Meal/Credit, Unpaid Internships, and the Vagaries of Finding Work in Hollywood
[or, How I Learned to Stop Worrying and Love Craigslist]
We all know there is no such thing as a free . Working for free is by its nature an unsustainable prospect (unless you are independently wealthy or win the lottery). However, sometimes an English-major-from-a-small-midwestern-liberal-arts-college has gotta do what an-English-major-from-a-small-midwestern-liberal-arts-college has gotta do to break into the entertainment industry. Namely, work for free.
Let us call this "The Tale of Three Internships" (because "The Tale of Three Volunteer Work Experiences" doesn't sound as catchy):
Internship #1 - In which I enjoy free lunches and 3D footage of hot air balloons, but am lured away by more exciting opportunities.
October 2010: When I first moved to LA in from Kansas City, Missouri as a basically broke recent grad, I did the only logical thing possible--I applied to anything and everything on Craigslist that sounded even remotely interesting (or that paid).
Subsequently, I was offered an unpaid editing internship at a 3D production company. Cool, 3D. Those were my thoughts. I was also pretty psyched to intern in the editing department. The perks included free lunches on the days you worked and a low-key, friendly work environment. Plus, 3D!
I organized clips into bins, added logging notes, researched music, and did stringouts for the editors.
This was a pretty cool internship. But then...
Internship #2 - In which I work as an assistant on an ultra-low-budget film shooting all over Hollywood with name stars and a director of note.
I met this guy at a Thanksgiving party for LA orphans and he connected me to a producer looking for interns. It would be one week of prep and two weeks of shooting on an ultra-low-budget film. Sign me up, I said!
I was excited to be back on set. The people were, of course, amazing, and I discovered once again the strange co-relation between how hard you're working and how much fun you're having. On one of our craziest days, I ended up valeting multiple vehicles and parking them along a narrow, windy drive lined on either side with a low stone wall. Me! Parking cars! It was simultaneously terrible (more like terrifying) and really good fun.
We wrapped after 12 days of shooting and then it was Christmas! I went through post-wrap depression until I got a call...
Internship #3 - In which I am a natural at driving in Tijuana, Mexico [read: I drove like someone who is completely INSANE] and I eat a lot of tacos while being terrified to cross the border but crossing it anyway, multiple times, both ways.
Early in January I got a call from a producer who had received my resume. All I knew was that they were shooting in Mexico and looking for volunteer crew members. I quickly signed on as the assistant production coordinator/driver/craft services/catch-all title.
Where to begin: Volunteer cast and crew. Inspiring subject matter. Mexico. The best popsicles I have ever eaten in my entire life. I had a blast.
It was also extremely challenging. I would drive around and get lost constantly (Did I mention I have a terrible sense of direction? That I don't speak Spanish? That I didn't have a map? Or a GPS?) I would just keep driving until I found the main highway. I could find my way from there.
My main job was to pick up actors from LA across the border in the good 'ol US of A and bring them back into Tijuana. On my first time attempting to re-enter my native land, I took the wrong lane. The immigration officer was so kind. He let me off with a warning. And the threat of a $5,000 fine should it happen again.
The people were great though, and that's generally all that matters.
Thus concludes my tale of three internships. None of them led to a steady, paying job, but I don't regret doing them.
Tune in next time for the advice portion of this program: "Working For Free Without Losing Your Self-respect."
We all know there is no such thing as a free . Working for free is by its nature an unsustainable prospect (unless you are independently wealthy or win the lottery). However, sometimes an English-major-from-a-small-midwestern-liberal-arts-college has gotta do what an-English-major-from-a-small-midwestern-liberal-arts-college has gotta do to break into the entertainment industry. Namely, work for free.
Let us call this "The Tale of Three Internships" (because "The Tale of Three Volunteer Work Experiences" doesn't sound as catchy):
Internship #1 - In which I enjoy free lunches and 3D footage of hot air balloons, but am lured away by more exciting opportunities.
October 2010: When I first moved to LA in from Kansas City, Missouri as a basically broke recent grad, I did the only logical thing possible--I applied to anything and everything on Craigslist that sounded even remotely interesting (or that paid).
Subsequently, I was offered an unpaid editing internship at a 3D production company. Cool, 3D. Those were my thoughts. I was also pretty psyched to intern in the editing department. The perks included free lunches on the days you worked and a low-key, friendly work environment. Plus, 3D!
I organized clips into bins, added logging notes, researched music, and did stringouts for the editors.
This was a pretty cool internship. But then...
Internship #2 - In which I work as an assistant on an ultra-low-budget film shooting all over Hollywood with name stars and a director of note.
I met this guy at a Thanksgiving party for LA orphans and he connected me to a producer looking for interns. It would be one week of prep and two weeks of shooting on an ultra-low-budget film. Sign me up, I said!
I was excited to be back on set. The people were, of course, amazing, and I discovered once again the strange co-relation between how hard you're working and how much fun you're having. On one of our craziest days, I ended up valeting multiple vehicles and parking them along a narrow, windy drive lined on either side with a low stone wall. Me! Parking cars! It was simultaneously terrible (more like terrifying) and really good fun.
We wrapped after 12 days of shooting and then it was Christmas! I went through post-wrap depression until I got a call...
Internship #3 - In which I am a natural at driving in Tijuana, Mexico [read: I drove like someone who is completely INSANE] and I eat a lot of tacos while being terrified to cross the border but crossing it anyway, multiple times, both ways.
Early in January I got a call from a producer who had received my resume. All I knew was that they were shooting in Mexico and looking for volunteer crew members. I quickly signed on as the assistant production coordinator/driver/craft services/catch-all title.
Where to begin: Volunteer cast and crew. Inspiring subject matter. Mexico. The best popsicles I have ever eaten in my entire life. I had a blast.
It was also extremely challenging. I would drive around and get lost constantly (Did I mention I have a terrible sense of direction? That I don't speak Spanish? That I didn't have a map? Or a GPS?) I would just keep driving until I found the main highway. I could find my way from there.
My main job was to pick up actors from LA across the border in the good 'ol US of A and bring them back into Tijuana. On my first time attempting to re-enter my native land, I took the wrong lane. The immigration officer was so kind. He let me off with a warning. And the threat of a $5,000 fine should it happen again.
The people were great though, and that's generally all that matters.
Thus concludes my tale of three internships. None of them led to a steady, paying job, but I don't regret doing them.
Tune in next time for the advice portion of this program: "Working For Free Without Losing Your Self-respect."
Labels:
America,
career,
editing,
filmmaking,
Hollywood,
internship,
Los Angeles,
Mexico,
work
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